When I last left off in Part 2, I was jumping up and down (in my head) because A Work of Art was chosen as the next selection for the parent YA book club at my son’s school. I was riding high, and then, something even better happened… Ten days before release date: A writer friend told me she saw my book in a certain Barnes & Noble, so I rounded up Adam (my husband) and Caleb (my 10-year-old son), and off we went to have a look. Sure enough, my book was there in the teen section—10 days before...
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When I last left off (click here to read Part 1), I had received my first book review for A Work of Art—a starred review from Kirkus Reviews. I was riding high, and then… Two months before pub date: Other reviews trickled in. I got a really good one from Booklist but a scathing one from another reviewer. Hmmm. Could it be that different people have different opinions? Reviews from book bloggers were mostly positive, but that painful review felt like a stab in the gut. Fear of negative feedback made me less enthusiastic about sending out ARCs (advanced reader...
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Yay! I’m having a book launch party! I wasn’t sure I was going to because throwing a book-launch party feels kind of like throwing a party for myself. But as my publicist told me, “Think of it as throwing a party for your book.” So, yay! I’m throwing a party for my book! And you’re invited! The official release date for A Work of Art is March 18 (a Wednesday), but I’ll be having my book party that weekend, on March 21. Since A Work of Art has an art theme, I’m holding it at the Coral Springs Center for...
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With less than three weeks before the release date of my debut YA novel (A Work of Art, Merit Press), I thought I’d start blogging about what the journey from contract signing to release date has been like so far. This first installment will be a recap from the time I signed the contract up until three months before publication. Zero to five months after signing the contract: I signed the contract in February 2014 with a release date of “Spring 2015.” I spent most of this time trying to guess what “spring” meant (is June considered spring?) and deflecting...
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Some people see writing as an outpouring of words. The Muse visits, and words appear on the page. Not for me. My writing is more of an extraction—and a painful one at that. More times than not, I feel like I’m pulling out every word by force. The truth is, I’m a chronic self-editor—maybe because I was a professional editor for fifteen years and old habits die hard. Or maybe because I’m a tiny bit obsessive. So when my writer friends say things like, “I write two-thousand words a day,” or “I wrote my first draft in three months,” I’m...
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Feel free to download any of the following items for media use. If you need further assistance, please contact me via the contact form page. Cover Art Headshot Author Profile Author Q&A Press Release Praise Sheet Chapter One Excerpt from A WORK OF ART...
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As a debut author, getting your book reviewed is a big deal, so in the weeks after my advanced reader copies (ARCs) went out to reviewers, I’ve been nervously waiting, telling myself that if my book gets slammed, it’s just one person’s opinion, right? Well, I just got word that A WORK OF ART received a “starred” review from Kirkus Reviews! When my publisher told me, I had the same feeling as when my agent sold my book all those months ago—relief (since those Kirkus stars are hard to come by) mixed with validation. (Getting my book published wasn’t just...
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When I began seriously pursuing writing as a career, I didn’t intend to write for young adults. My upcoming book, A WORK OF ART, was originally aimed toward an older audience, but my critique group convinced me (and rightly so) that it was suited for young adults. After all, its protagonist was a teenage girl, and many of her problems were teenage problems. But making the transition from an adult audience to a YA audience was tougher than it seemed. My early drafts were written in third person, where everything was seen through the eyes of my protagonist. That’s all...
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There’s a lot to say about writing dialogue—more than anyone wants to read in a single blog post. But here are two lessons I learned the hard way. (That is to say, I learned these lessons through lots of study, trial-and-error, and getting ripped apart by sharp-clawed critiquers.) Lesson 1: Realistic dialogue does not imitate real life. I used to think realistic dialogue imitated how people really talked. But the sad fact is: Most people—even smart people—aren’t that articulate when it comes to speaking. If you don’t believe me, read a few unedited interview transcripts. They sound something like this:...
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